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London Unattached

Cultural News and Reviews - London

Fiona Maclean

An award winning London based freelance writer, Fiona's career started in arts administration, before working for a leading London restaurant group under restauranteur Laurence Isaacson on restaurant brands including The Ivy and Wheelers. With a music degree and an MBA, Fiona's passions include all types of music, food, restaurants, wine and travel and she has now reviewed over 400 restaurants for London-Unattached and written countless classical music and opera features. She is the Founder and Editor of London-Unattached and has written about food, wine and travel for other print and online publications including Metro, &London and Zing Magazine.

Contact Fiona@London-Unattached.Com

BBC Proms – 20th Century Classics

August 14, 2026 (2026-08-14T10:12:00+01:00) by Fiona Maclean Leave a Comment

If someone asked you what to expect from a programme called 20th-Century Classics, what would you pick? I’d definitely include some Stravinsky, with The Rite of Spring the obvious choice. How about a bit of Shostakovich, or Messiaen’s Turangalîla-Symphonie? For something a little more playful, perhaps Bernstein’s Symphonic Dances from West Side Story. Bartók’s Concerto for Orchestra would be another obvious contender. But what about the Second Viennese School? Maybe Berg’s Three Pieces for Orchestra or Schoenberg’s Five Pieces for Orchestra. And, of course, there is so much more. Classical music evolved extraordinarily quickly during the 20th century, branching out in radically different directions and challenging almost every convention along the way. Whoever programmed Monday’s 20th-Century Classics Prom created a phenomenal showcase for that night’s orchestra: the combined forces of the Juilliard Orchestra and the Royal Academy of Music Symphony Orchestra, conducted by Esa-Pekka Salonen and joined by violinist Vilde Frang. Perhaps the music was deliberately chosen to allow these brilliant young players to have their moment. In Igor Stravinsky’s Symphony in Three Movements, there was some wonderful playing from Dohyun Lee at the piano, complementing the vigorous, rhythmically precise strings led by Katya Moeller. Next came Berg’s Violin Concerto, with the young Norwegian violinist Vilde Frang as soloist. In a delicate and sensitive performance, she engaged brilliantly with the orchestra, turning to play in dialogue with each section as appropriate. The highlight of the evening for me, though, was Bartók’s Concerto for Orchestra. It is a powerful work that illustrated the immaculate ensemble playing of this specially assembled group. Shimmering upper strings in the first movement interrupted the powerful cello and viola opening, with compelling, declamatory brass weaving through the music. The second movement saw pairs of instruments creating a mosaic of sounds. The poignant slow movement led into the Interrupted Intermezzo, full of pastiche and humour. The Finale is a brilliant dance: a whirlwind of sound displaying the virtuosity of these exceptional young players. A joyful, fast-and-furious performance of the Galop from Stravinsky’s Suite No. 2, played by the whole orchestra, brought the evening to a close. We drifted out into the summer warmth of London feeling optimistic about the future of classical music, as represented by this talented young ensemble. Listen to Esa-Pekka Salonen conducting Stravinsky, Berg and Bartók on BBC Sounds.

Esa-Pekka Salonen conducts a vibrant young group of musicians If someone asked you what to expect from a programme called 20th Century Classics, what would you pick? I’d definitely include some Stravinsky, with The Rite of Spring the obvious choice. How about a bit of Shostakovich, or Messiaen’s Turangalîla-Symphonie? For something a little more playful, […]

Tao of Glass

July 31, 2026 (2026-07-31T10:17:08+01:00) by Fiona Maclean Leave a Comment

A Portrait of the Artist… The charismatic Phelim McDermott is the central figure in The Tao of Glass, a work that originated from a unique theatrical collaboration with the American minimalist composer Philip Glass. First staged as part of the 2019 Manchester International Festival, it tracks Phelim’s life from a young theatre-obsessed boy, to a […]

BBC Proms 2026 – Sibelius’s Second

July 29, 2026 (2026-07-29T17:26:34+01:00) by Fiona Maclean Leave a Comment

Three Masterpieces, One Outstanding Prom How do you pick your Proms? Now that I’m not always in London, choosing which Proms to attend is a real challenge. The breadth of programming is extraordinary, often featuring orchestras and soloists who only appear in London once or twice a year. I try my best to balance going […]

RH London – Restaurant of the Month

July 25, 2026 (2026-07-25T08:55:52+01:00) by Fiona Maclean Leave a Comment

Furniture and Food that’s a million miles from Ikea. How do you differentiate in the world of luxury? July’s restaurant of the month, RH London, might just be on to something. Visit their newest destination in Burlington Gardens – a stunning gallery, showroom and restaurants, and you’ll enjoy a few hours of immersive decadence. For […]

BBC Proms 2026 – Mahler’s Tragic Sixth.

July 23, 2026 (2026-07-23T22:50:57+01:00) by Fiona Maclean Leave a Comment

The Hammer in Mahler 6 - BBC Proms

A Summer of Classics in London and Beyond. For more than 130 years, the BBC Proms has been one of the highlights of the classical music calendar. Founded in 1895 by impresario Robert Newman and conductor Sir Henry Wood, the original Promenade Concerts were designed to bring great music to the widest possible audience, with […]

Ariadne Auf Naxos – Glyndebourne Opera

July 20, 2026 (2026-07-20T12:57:18+01:00) by Fiona Maclean Leave a Comment

A scene from Ariadne auf Naxos by Richard Strauss at Glyndebourne. Conductor Robin Ticciati. Director & Costume Designer Laurent Pelly. Set Designer Massimo Troncanetti. Lighting Designer Marco Giusti. London Philharmonic Orchestra. The Glyndebourne Chorus. (Opening 19-07-26) ©Tristram Kenton 07-26

The Serious Business of Comedy It’s a sign of a great production when the audience leaves with a stronger understanding of the composer’s intentions than any synopsis could provide. That was certainly the case with last night’s Ariadne auf Naxos, a spellbinding new production from Laurent Pelly. While the idea of a play within a […]

The Barber of Seville at Grange Park Opera

July 18, 2026 (2026-07-18T16:26:57+01:00) by Fiona Maclean Leave a Comment

Barber of Seville - Grange Park Opera

The Theatre in the Woods – Grange Park Opera has the perfect setting We are having a blissful summer of Country House Operas. Each house has its distinct story, each one its own unique appeal. It’s hard to pick a favourite, but if I had to vote, Grange Park would certainly be a contender. Bamber […]

Eugene Onegin at The Grange

July 15, 2026 (2026-07-15T15:51:43+01:00) by Fiona Maclean Leave a Comment

The Grange Festival - Eugene Onegin photo©RichardHubertSmith.jpg(6)

Love Letters from Russia It’s summer opera season, and we are enjoying a spectacular series of performances across southern England. The Grange, a new venue for me, is near Winchester in the heart of the Hampshire countryside, and I was lucky enough to catch one of the last performances of Eugene Onegin there this year. […]

A Midsummer Night’s Dream – Regent’s Park Theatre

June 30, 2026 (2026-06-30T16:24:19+01:00) by Fiona Maclean 1 Comment

Rock and Roll Shakespeare Reaches Music Festival Heights “Sound, music! Come, my queen, take hands with me,And rock the ground whereon these sleepers be.” Perhaps it’s not surprising that A Midsummer Night’s Dream has been performed at Regent’s Park Open Air Theatre more than 50 times since its first production there in 1933. The sylvian […]

Much Ado about Nothing – Globe Theatre

June 20, 2026 (2026-06-20T12:21:28+01:00) by Fiona Maclean Leave a Comment

A Menagerie of Mischief in this high-energy new production Directed by Chelsea Walker, last night’s Much Ado About Nothing sets the Bard’s timeless work in a contemporary world. Remarkably, despite being more than four centuries old, the play’s concerns with status, reputation and public performance feel entirely contemporary. Status, desire and romance are seasoned with […]

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